The Usual Suspects (Special Edition) DVD

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Wait a minute ... five criminals in one lineup? There's something wrong here, right? Right ...

In "The Usual Suspects," not only every line but every gesture, every facial expression and every camera cut counts. Even if you distrust the story being told, you can't exactly pin down everything that's wrong with it. The plot unfolds through the tale extracted from Kint, one of two survivors of a massacre and subsequent explosion on a boat docked in San Pedro Harbor, by U.S. Customs agent David Kujan (Chazz Palminteri). And at the same time as Kint is spinning his yarn, in a nearby hospital the other survivor (badly injured and fresh out of a coma) helps a police sketch artist draw a picture of the mastermind behind the scheme - "the devil," Keyser Söze.

You can watch this movie countless times, and you will still discover new subtleties every single time. Not only will you find that it still makes sense after the story line has been unraveled at the end (which therefore is a plot twist, not a non-sequitur). You'll also discover nuance upon nuance in Kevin Spacey's incredible performance. You'll see that tiny apologetic grin on Todd Hockney's face as attorney Kobayashi (Pete Postlethwaite) lists a weapons truck heist - the very act which brought them together in the initial lineup, and which they have all come to believe to have been a trumped-up charge - as Hockney's latest sin against Keyser Söze, now forming part of the debt to be repaid by participating in the suicide mission in San Pedro Harbor. And at some point you'll also have figured out all of Fenster's lines (not being a native English speaker, I am relieved to find that I wasn't the only one struggling with them at first) ... although the mumbling is of course part of his character, and is as excellently delivered as every other aspect of Benicio del Toro's acting, his lines are so funny and to the point you almost wish he'd speak more clearly so you wouldn't miss half his punch lines the first time around.

Among a cast of tremendous actors (to name just two, Gabriel Byrne in one of his best performances and Benicio del Toro, deserving much more than just an "also starring" mentioning in the opening credits), Kevin Spacey's star shines brightest. To this day it is a mystery to me how he came to be awarded the Academy Award for Best *Supporting* Actor - the only things the man supports (in fact carries, almost single-handedly) in this movie are Bryan Singer's directing and Christopher McQuarrie's screenplay, and that alone makes him the movie's lead character. But regardless of its title, the award was more than justified, and so was the one for McQuarrie's screenplay. With infinite trust in the audience's ability to pick up on little gestures, looks and inflections of his voice, Kevin Spacey displays all the many aspects of his character at the same time; and even the tenth time around, his performance still holds as true as the first time you watch the movie. Almost expressionless he tells his tale, always seeming to give away just about as much as he has to, and only raising his voice for a pointed (and exquisitely timed) expletive upon first being confronted with the name Keyser Söze, and for a wailing "Why me??" as agent Kujan tries to convince him that his own archenemy, Keaton, has been behind their failed enterprise all along and purposely let him (Kint) live to tell their story.

This is one of those movies which have you quote their many memorable one-liners forever. (Just look at how many reviewers on this site alone are quoting the one about "the devil's greatest trick.") To the extent that it cites other works, those citations pay homage, they don't merely copy - right down to the name of the movie's production company (Blue Parrot/Bad Hat); like the title containing a reference to "Casablanca," the prototype of all films noir (or those made in Hollywood at least). It is one of the best modern examples of the genre and has long since become a cult classic - it's a must in every decent collection.

The plot? Following a bloody shoot-out aboard a ship moored at a Santa Monica pier, the police question a hood by the name of Verbal Kint in an attempt to learn about what happened. We see several different possibilities and the final answer we get is a real surprise.

Typically movies rely upon special effects, left-field plot twists, and brand-name casting to get the job done. "The Usual Suspects" relies on an excellent script, good direction and wonderful acting from people who might not necessarily be household names. Look at this cast- Stephen Baldwin, Kevin Pollack, Benicio Del Toro, Gabriel Byrne, Kevin Spacey, Chazz Palminteri, Dan Hedaya, and Pete Postlethwaite. This is some serious acting talent to behold. They all are great, but in particular Gabriel Byrne (Dean Keaton) and Kevin Spacey (Verbal Kint) deliver exceptional performances. Neither man is quite who they seem to be. Spacey won a well-deserved Oscar for his performance in this film.

Director Brian Singer does a brilliant job coaxing terrific acting performances from his cast. This was a tought movie to make and he pulled it off in spades.

Go see "The Usual Suspects" and find out why it is one of my favorite films.

But let's not get sidetracked. More than anything else,"SUSPECTS" is about the unparalleled unsettling reaction you get from viewing it! From the first scene to the end credits, it gets a headlock on your psyche, while sending the pit of your stomach into endless free fall! The only way to illustrate this, without giving away any key elements of the film, is a detailed look at the opening scene....a peerless example of instant timeless classic film noir.

On a boat, docked in San Pedro Harbor, the dying sole-survivor of an apparently devastating bloodbath shootout painfully ignites a thin trail of gasoline. His obvious intention: Destroy EVERYTHING...himself included! From a deck higher up, an unseen someone pisses out the trail of flames. The shadowy figure walks down the stairs with an unhurried beliberation and saunters over to the agonizing man he has just saved. They exchange somewhat forced greetings and a few disjointed words of banter.

Without warning, the intruder firmly raises a pistol, his unblinking gaze reflected in eyes locked in contact with his own. Unhesitatingly, he fires two consecutive shots. A brief pause of contemplation ends when he casually lights a cigarette, stategically dropping his lighter to rekindle the liquid fuse, and then beats a hasty off-board retreat.

What better way to introduce a character whose twisted iron resolve is so perverse, so deranged, that he saves a doomed man seconds before certain death, solely for the unmititgated pleasure derived from looking him squarely in the eye, his victim looking right back, while pulling the trigger himself. Without uttering a syllable, his actions shout out,"I piss on you and your puny existence!" His victim's final moments are thusly converted into a living/dying testimony, clearly demonstrating who it is that decides the particulars of when and how he will die!

"SUSPECTS" has been severely critiqued by a vocal minority (to paraphrase another Amazon reviewer) for not knowing the difference between a plot twist and a non sequitur. With all due respect to the reviewer, who painstakingly highlighted the difference for us, perhaps a careful second viewing would shed some light on the source of this common confusion. After watching "SUSPECTS" four times making every effort to employ my most discerning eye, I am convinced the true genius of the movie hinges on this particular point!

Let me underscore my unequivocal recommendation of this film with a special note to those of you who avoid the Action or Suspense genre becuase of your distaste of the excessive violence that generally characterizes them. Well, THIS IS NO JOHN WOO FILM! A lot of the scenes are done in the "Old School" style, where the violence is kept off-screen. Although there is considerable TALK in "SUSPECTS" about some of the most dastardly deeds imaginable, virtually none of this is graphically portrayed. So, PLEASE, if you have not seen it yet, because of this reason, I urge you to make an exception in this case...GET IT AND SEE IT!